The philosophical aspect of a comprehensive study of the art of animation from the point of view of cultural studies

Abstract

This article provides an in-depth analysis of the philosophical aspects of animation in the context of modern humanitarian studies, taking into account examples from Kazakh animation. The main focus is on the ontology of animation, its cultural, philosophical and semiotic analysis, as well as identifying the potential of the hermeneutic and visual influence of an animated film. The article also examines the impact of animation on the formation of public consciousness. The research draws attention to the fact that animation is not only an art form, but also a key cultural phenomenon reflecting the deep cultural and philosophical aspects of society. In the context of Kazakh animation, the study takes on a broader character, including an analysis of the influence of national identity, mythology and history on works of animation art. Such an in-depth analysis allows us to understand how animation acts not only as an entertainment medium, but also as a means of transmitting and preserving cultural values and the identity of the people. Special attention is paid to the aesthetic, philosophical-semiotic, socio-philosophical, ethical-philosophical and historical-philosophical aspects of animation in Japan. The cultural and philosophical approach considered in the article reflects the specific metaphorical means of depicting reality and artistic imagination in animation. This approach enriches the spiritual wealth of art, takes it to a new level and has an impact on socio-cultural development. The article also touches on new and modern philosophy, exploring the topic of human transformation into a machine in the context of animation and identifying changes in the perception of human material nature in different periods of time. By analyzing the impact of animation on public consciousness, we expand our understanding of how these works of art shape our ideas about the world and ourselves. The conclusions of the analysis emphasize the complexity of animation art and the need for a comprehensive study of it in order to fully understand its significance and impact on modern society. The work presents valuable data that make an important contribution to the field of cultural studies and philosophy, expanding the understanding of the meaning and role of animation in the modern world.

Key words: animation, cinematography, folklore, philosophy of animation, digital art, identity, Japanese animation, anime, Kazakh animation, cultural studies, semiotics.

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